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Paul Poovathingal : ウィキペディア英語版
Paul Poovathingal


Paul Poovathingal (born 1961), popularly known as the 'Padum Pathiri' or 'singing priest of India',〔(The Singing Priest- Website )〕 is a carnatic music (Indian classical music) vocalist, composer and lyricist and is the first vocologist in India. He is an ordained priest in the religious congregation of the Carmelites of Mary Immaculate (CMI). He has composed around 1000 songs and released 35 music albums.〔(Snehasarovaram -Music Album −1991 )〕 He is a disciple of the legendary Carnatic musician and playback singer Padmabhushan K. J. Yesudas and of Chandramana Narayan Namboothiri. He is the first Indian Christian priest in the world to earn PhD in Carnatic music. He has performed classical music before A.P.J. Abdul Kalam, President of India and before Bharat Ratna M.S. Subbulakshmi.
== Spirituality and Music ==
He focuses on the spiritual dimension of Indian classical music. He is also a proponent of music yoga (nada yoga) and advocates regular practice of pranayama to improve voice and general well being. He also promotes religious harmony through the medium of music.〔(K. Santhosh. 2004. 'Carnatic Ragas from the Pulpit )', The Hindu 14 September 2004〕 His music repertoire encompasses devotional songs based on Christian, Muslim and Hindu religious themes. His music compositions are based on carnatic music melody (raga) using the Carnatic musical scale (swara). They have a humanistic and universal appeal.〔(Carnatic music gets a Christian touch ), The Times of India, 16 Jan 2010〕〔(G.S.Paul, Harmonious Notes, ) 'the Hindu' 6 March 2009〕 According to Poovathingal, "''music is a bridge between all religions''".〔(The Singing Priest, Mutiny.WordPress.com )〕
Inculturation of Music in Church in India

He has been an exponent of 'inculturation' or the process to express Christian faith through indigenous art forms, adapting indigenous cultural expressions. His research was in the field of ethnomusicology and focused on carnatic music and Christianity. He has popularised Indian Christian themes in Carnatic music. He introduced raga-based chanting in Christian liturgical music in Kerala and India.

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